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Ebook May Morris : arts & crafts designer
Ebook May Morris : arts & crafts designer
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May Morris : arts & crafts designer
Ebook May Morris : arts & crafts designer
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Détails sur le produit
Relié: 224 pages
Editeur : Thames & Hudson Ltd; Édition : 01 (26 septembre 2017)
Langue : Anglais
ISBN-10: 0500480214
ISBN-13: 978-0500480212
Dimensions du produit:
21,6 x 2,5 x 27,9 cm
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Classement des meilleures ventes d'Amazon:
873.689 en Livres (Voir les 100 premiers en Livres)
Her famous father may well have eclipsed enduring attention to May Morris’s Arts & Crafts contributions. Fortunately, her artistry and leadership were not inhibited or deterred. Her significant legacy justifies the 5 authors and curators (plus 2 contributors) behind the book May Morris Arts & Craft Designer.The book contains remarkable images and sketches in its 6 chapters. Abundant color photographs display an exquisite color sensibility, fine detail work, and numerous applications of the classic swirling vines and Acanthus leaves. The last chapter –“Jewellery and Metalwork†(Chapter 6) - is comparatively scant, but proves Morris’s creative breadth exceeded her sisters’, who both focused more on embroidery.Each chapter is written by different authors, except in the case of “Wallpapers and Embroidery†(Chapter 3) which is written jointly by Bain, Lister, and Mason. That chapter constitutes nearly 1 full half of the entire book, and rightly so.The book begins with “A Well-Crafted Life†(Chapter 1) by Ian Marsh. It is noteworthy for describing how May Morris elevated embroidery beyond mere women’s work. Needlework forged her design sense, allowing her foray into other applications. It is very telling of her influence that her death – coinciding with the eve of WWII – caused her reputation and contributions to fall out of study and common memory.“Sketches and Watercolours†(Chapter 2) is the most fascinating. We see the evolution of a brilliant and imaginative mind. But ominously, it also foretells of May Morris’s ephemeral prominence; much of these works were scattered or lost. (Ironically, she could be a famous name had she stayed with this medium.) The remaining chapters feature May Morris’s expansive influence: “Book Covers and Designs†(Chapter 4) and “Dress and Costume†(Chapter 5).A great deal of dedicated effort created this book, as evidenced by satisfyingly adequate captions, notes, chronology, and identifying the worldwide locations of May Morris’s public collections. Readers who will delight in the images and text will be thrilled to examine the richly dense “Sources and Further Readings.â€
William Morris is well understood as the father of the Arts & Crafts movement, setting its definition with, "Have nothing in your house that you do not know to be useful, or believe to be beautiful." He had a huge influence on design, from textiles to wallpaper to furniture.Perhaps a little less known is his daughter May Morris, who ran the embroidery department of Morris & Co starting when she was in her 20s; she remained a force until her death in 1938. Her self-reliance would today be branded as early feminism, but in point of fact May was brought up to be independent and creative. She was surrounded by her parents' artistic friends (the book doesn't go into detail about her mother Jane's sort-of-open relationship with Dante Gabriel Rossetti, who cohabited with William and Jane for a while) and an avant garde cultural circle (one surprise: she and George Bernard Shaw were in love, but he backed off because he felt his poverty would keep them from being a good match; they did stay friends). She was, however, political, starting organizations for women in the arts and doing other good works.However, if you're looking for an extensive personal biography, you'll be disappointed. Because this book is first and foremost a print exhibition of May Morris the designer -- and OH MY it is stunning. Chapters are devoted to "a well-crafted life" (biographical overview); sketches and watercolors; wallpapers and embroidery; book cover and designs; dress and costume; jewelry and metalwork. There are about 200 color photographs and other images: everything from pictures of embroidered hangings in situ, close-up details of the stitching, rough patterns of her designs, personal portraits, anything you could ask for. With plenty of detail about each piece.The highlight for me is the section on embroidery, both for her own designs and the execution of her father's and others' designs, along with her work on the production side of the house. If you're an Arts & Crafts fan you may have seen a few of these photos before. For example there is a full-color photo of the Pomona hanging designed by Edward Burne-Jones and William Morris -- I'm surprised I didn't drool on the page. The discussion explains that it was executed by three embroiderers at the Royal School of Needlework, arranged and worked under the direction of May Morris and Miss Barker in 1891; it's 117"x84", silk thread on linen; stitches include long and short stitches, and laid and couched work. And so on. Several of the designs were for embroidery kits, which Morris & Co sold, and thus simpler but no less beautiful. A 26" square Tudor Rose panel would probably be treated as a pillow today; the flowery design (which you might easily assume was William Morris' given its aesthetics) is done in colored silks on linen, worked in darning stitch, stem stitch, and short and long stitch.I learned a lot. The section on book binding caused me to research the history of embroidered book covers (which apparently was a Thing in the late Victorian era). Some of these blew me away, such as a "Love is Enough" book cover with gold and seed pearls incorporated in the design. There's an embroidered cloak with an "Arabic" design that I'd love to wear today. And... well, plenty more.I spent a few weeks poring over this book, a few pages at a time. It's a delight -- and worth every penny. If you care about Arts & Crafts, you want this.
well written.
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